摘要

思想性是人物内心世界的刻划和个性的张扬，通过人物内心世界的刻划和个性的张扬可以表现出与众不同，伴有自己风格，符合被摄者的作品，让人欣赏起来有亲切感，不至于感到陌生。随着技术和观念的更新，在市场竞争的强大压力下，人像摄影工作者开始了自己深沉的思考，并逐渐从客观制约和陈旧模式中解脱出来，以新的形式融合到社会生活的各个方面。突出创意、张扬个性的富有现代意义的人像摄影逐步走入人们的生活空间，以不同观念和追求形成了人像摄影各种各样的表现形式和风格．但有一个特征是贯穿始终的，即对人物内心世界的刻划和个性的张扬。写真人像摄影中，绝大多数已成为一种固定的模式和套路，甚至还会有所扭曲。如果写真人像摄影行业长此以往的模式化操作，一方面是对消费者的不负责任，另一方面也将导致人像摄影的水平停滞不前。究竟怎么样的人像摄影能既符合大众审美又张显摄影魅力呢？研究者就以数码人像写真为例，对市场上的人像摄影行业进行调查研究，希望通过研究得出一个结论，给消费者一个正确的理性的摄影消费观念，倡导消费者寻找到适合自己的写真。

The necessary first breakthrough in photography was in a different, not eye-centered area—that of making permanent photographic images. Employing data from the researches of Johann Heinrich Schulze—who, in 1727, discovered that silver nitrate darkened upon exposure to light—Thomas Wedgwood and Sir Humphry Davy, early in the 19th cent., created what we now call photograms. These were made by placing assorted objects on paper soaked in silver nitrate and exposing them to sunlight. Those areas of the paper covered by the objects remained white; the rest blackened after exposure to the light. Davy and Wedgwood found no way of arresting the chemical action at this stage, however, and their images lasted only a short time before darkening entirely. Photography's basic principles, processes, and materials were discovered virtually simultaneously by a diverse group of individuals of different nationalities, working for the most part entirely independently of one another. The results of their experiments coalesced in the first half of the 19th cent., creating a tool for communication that was to become as powerful and significant as the printing press. Four men figure principally in the establishment of the rudiments of photographic science.

目  录

第一章      绪论----------------------------------------------------------------------------------------------3

1.1      引言---------------------------------------------------------------------------------------------- 3

1.2      研究背景与动机--------------------------------------------------------------------------------3

1.3      研究主体-----------------------------------------------------------------------------------------4观点的提出 ------------------------------------------------------------------------------------4

第二章      写真行业市场需求与市场供给调查-------------------------------------------------------4

2.1 调研目的-----------------------------------------------------------------------------------------5

2.2 调研问卷设计-----------------------------------------------------------------------------------5

2.3 调研概述-----------------------------------------------------------------------------------------5

2.3.1 调查方式----------------------------------------------------------------------------------5

2.3.2 问卷回收情况----------------------------------------------------------------------------5
2.3.3 调查对象----------------------------------------------------------------------------------5
2.3.4 调研结果分析----------------------------------------------------------------------------5

第三章 普通消费者拍摄实例对比分析-------------------------------------------------------------7

3.1 拍摄实例1---------------------------------------------------------------------------------------7
   3.2 拍摄实例2---------------------------------------------------------------------------------------9
   3.3 拍摄实例3--------------------------------------------------------------------------------------11
   3.4 对以上三个实例的分析结论--------------------------------------------------------------- 13
第四章 世界性的人像摄影风格探讨---------------------------------------------------------------16

4.1 世界摄影事业现状--------------------------------------------------------------------------------17
4.2 西方世界里的人像摄影--------------------------------------------------------------------------17
4.3 东方世界里的人像摄影--------------------------------------------------------------------------18
4.4 对中国摄影风格建议-----------------------------------------------------------------------------21
第五章 结论---------------------------------------------------------------------------------------------21

参考文献-------------------------------------------------------------------------------------------------22
致谢-------------------------------------------------------------------------------------------------------22
译文及原文----------------------------------------------------------------------------------------------24